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In 1921, a Cebuano named Luis Borromeo returned from America and Canada as Borromeo Lou. It was he who brought “American-style stage entertainment” to the country. He redefined the traditional vod-a-vil (or bodabil) by integrating “Classic-Jazz Music” in shows. “Borromeo himself became a jazz bandleader, and became known as the Philippine “King of Jazz,” the title then given to the famous Paul Whiteman in America (From Pinoy Jazz Traditions. Pasig City: Anvil, 2004).”
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Maria Carpena, known as the first Filipino recording artist and sarswela star, recorded Ang Maya for Victor Records in 1913. She did the recording with the Molina Orchestra, at a makeshift studio in the Manila Hotel.
(From CCP encyclopedia of Philippine art, vol. 6)
Atang de la Rama also became the lead star in around 50 zarzuelas in various languages and performed not only in locally-renowned venues but also in “open plazas” and “cockpits.” (From www.nhi.gov.ph)
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While rehearsing for a zarzuela, Honorata “Atang” de la Rama was brought all the way to Baler, Quezon to be part of Manuel Quezon’s courtship to Aurora (who later became Quezon’s wife) by singing for her. (From Looking Back. Pasig City : Anvil, 2010)
Rowena “Winnie” Arrieta, a first rate pianist, learned to play piano at the age of two and read musical notes even before learning her ABCs at the age of four. She was officially proclaimed the first Filipino Tchaikovsky laureate, after winning fifth place in the Seventh Tchaikovsky Music competition, piano division in Moscow in 1982. (From FOCUS Philippines, Aug. 21, 1982)
Multi-awarded composer Ernani Cuenco wrote one of his favorite songs, Gaano Ko Ikaw Kamahal with his wife as his inspiration. He wrote it because he wanted to write something about love, not only love of husband for his wife, but rather a kind of universal love… love for fellowmen, love for one another. Due to some revisions, it took Cuenco one week to finish the song. (From FOCUS Philippines, Aug. 14, 1982)
A man of many talents, de los Santos was a lawyer, writer, historian, bibliophile, and antique collector. In 1918, while serving as fiscal for Bulacan and Bataan, he was designated technical director of the Philippine Census by Governor-General Francis Burton Harrison. He succeeded Trinidad Pardo de Tavera as director of the Philippine Library and Museum in 1925. He was also a gifted musician—a great pianist and guitarist. During his time, he was considered one of the three outstanding guitarists of the Philippines. The other two were General Fernando Canon, a revolutionary hero, and Guillermo Tolentino, a renowned sculptor.
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Sangdugong Panaguinip is the first Philippine opera in the Tagalog language. It was composed by Ladislao Bonus who is dubbed as the “Father of Philippine Opera.” Bonus is the maternal grandfather of Felipe M. De Leon Jr., a music scholar and humanities professor at the University of the Philippines, and son of National Artist for Music, Felipe Padilla de Leon.
The one-act opera with five scenes was based on the Spanish libretto La Alianza Soñada by Pedro Paterno which was translated into Tagalog by novelist and dramatist, Roman G. Reyes. First performed at the famed Teatro Zorilla on August 2, 1902.
The singing group composed of singers, humorists, and songwriters was organized in 1969. Before the group was trimmed down to three members: Jim Paredes, Danny Javier, and Boboy Garrovillo, it originally included Butch Dans, Lito de Joya, Gus Cosio, Renato Garcia, Chito Kintanar, Sonny Santiago, and Kenny Barton. The group is known for the distinctive urban sound and sense of humor in their music. (From CCP encyclopedia of Philippine art, vol. 6)
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Manila Sound is a very light kind of pop music that uses colloquial language (or Taglish) and is expressive of juvenile sentiments. (From CCP encyclopedia of Philippine art, vol. 6)
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In 1948, he and other Filipino artists boarded the SS Gordon in Honolulu. Levi Celerio wrote it while the ship was still docked in Honolulu. (From Music in history, history in music. Manila : UST Publishing, 2004)
The song’s original Cebuano text Kasadya Ning Taknaa (How Happy is this Time) is by Mariano Vestil and its music is by Vicente Rubi. It was translated into Tagalog by Levi Celerio. Its beginnings may be traced to the celebration of the Cebuano feast of the Pili-Kanipaan held in December. It was first performed in Old Opon (now Lapu-Lapu City) and was recorded under the Mareco label seventeen years later. (From CCP encyclopedia of Philippine art, vol. 6)
Cecil Lloyd (1910-1988) started singing on radio in 1930. He was featured as the Mystery Singer on KZRM in 1934. He first recorded Tagalog compositions “Ikaw” and “Buhat” in 1939. In 1948, he established the first Filipino-owned record company, Philippine Recording System, which featured his renditions of Filipino folk songs. He is considered the Father of the Philippine Recording Industry. He was also a professional lawyer. He finished law at the UP in 1936. (From CCP encyclopedia of Philippine art, vol. 6)
The term “Jeproks” or “Project,” which was widely used in the late 1960s and 1970s, refers to the youth who come from the middle-to-low middle-income housing projects of the government (e.g., Project 2 and 3). (From CCP encyclopedia of Philippine art, vol. 6)

The Diversity of Philippine Music Cultures